Address for Maundy Thursday, Carlisle Cathedral, Thursday 14 April 2022.
Exodus 12:1-4; 1 Corinthians 11: 23-26; John 13: 1-17, 31b-35.
Tonight we begin to walk the great journey that takes us to the foot of the cross and beyond. As we walk that journey, we can notice many things. The power of the story or the variety of the worship. But as we begin this journey, I would like to suggest we look to something else, the symbols of this journey, and more particularly to the simplicity of those symbols.
Tonight, as we remember the Last Supper and the service which Jesus mandates at the heart of that, we are guided by the simple signs of bread and wine, water and a towel. Tomorrow we shall be confronted by wood and nails. Then as we wait through the quiet hours that follow, we sit with silence and the stone of the tomb as we look to the promise that erupts into the light and wonder of the Easter garden.
I highlight these symbols because it is in the simple, unvarnished normality of these things which God in Jesus tells the transforming story of God’s love. We might be telling this in the great grandeur of this ancient Cathedral, in the beauty of our vestments, in the glory of our music. But at its heart will be simple things, things I would wager we could all find in our own homes – bread and wine; water and a towel; wood and nails; silence and stone – which will weave for us this story of God’s victory and God’s love.
The Welsh Priest-Poet RS Thomas wove some of the most lyrical poetry of the twentieth century from the simple things and experiences of the communities of rural Wales in which he served. In the lives of farmers, the call of birds, the crash of waves, and the silence of a Church he found in these simple things the notes of God’s love. What one commentator has called “the holiness in the common”.
In one of his poems, The Moor, Thomas finds in the quiet beauty of a solitary walk the simple transforming power of God’s presence. It begins:
It was like a church to me.
I entered it on soft foot,
Breath held like a cap in the hand.
It was quiet.
What God was there made himself felt,
Not listened to, in clean colours
That brought a moistening of the eye,
In movement of the wind over grass.
In the ordinary simplicity of that moorland walk, Thomas encounters the truth of God’s presence not in soaring words or grand pomp, but like the God present to Jesus’ disciples at the Last Supper, present to us in this worship, in the most simple and humble of actions.
And during supper Jesus, knowing that the Father had given all things into his hands, and that he had come from God and was going to God, got up from the table, took off his outer robe, and tied a towel around himself. Then he poured water into a basin and began to wash the disciples’ feet and to wipe them with the towel that was tied around him.
Here in this silent act, in this humility, in the water and the towel, is a God that, as RS Thomas says, “made himself felt, not listened to”.
As we enter these great days, and accompany Jesus to the foot of the cross, we might ask ourselves to attend to the God who makes himself felt, not listened to. Who opens to his disciples the truth of who he truly is, and the world he is truly calling us to, not simply in what is said, but what is felt.
As each one of us looks to the journey that lies ahead of us, we might ask how we can share and communicate this beauty not just in what we say, but in the God people encounter in us and how they come to feel and know that truth themselves.
It is striking to notice that Jesus washes the disciples feet without comment or explanation. Only explaining himself when challenged by, what we can only imagine to be, the shock and surprise of Peter and the other disciples.
The theologian David Ford, reflecting on the silent simplicity of Jesus washing his disciples’ feet, has said:
If the hands that wash the disciples’ feet (and are later nailed to the cross) are the hands into which “all things” have been committed by God, then this foot washing reveals who Jesus is, who God is, and what their love is like.
It is a reminder to each one of us that our faith only makes sense if at its heart lies of life a great love to the needs of others which Jesus calls us to this night. As we enter these great days we will reflect on words, listen to music, and rest in the silence of this great building. But alongside that Jesus draws us to himself, to his actions and person, to the God he shows us to in what is not always said but always felt as we come to know again what God’s love in Jesus is truly like.
As we look through these coming days for the holiness in the common, the meaning in the simplicity, the truth in the silent actions of Jesus, I pray that we would all know and feel in our hearts the true abundance of God’s love breaking in.
As RS Thomas concludes:
There were no prayers said. But stillness
Of the heart’s passions — that was praise
Enough; and the mind’s cession
Of its kingdom. I walked on,
Simple and poor, while the air crumbled
And broke on me generously as bread.
Address for Good Friday, Carlisle Cathedral, Friday 15 April 2022.
Psalm 22; Isaiah 52:13 - 53:end; Hebrews 14: 14-16, 5:7-9; John 18:1-19:end.
From the Gospel of John:
They took Jesus; and carrying the cross by himself, he went out to what is called The Place of the Skull, which in Hebrew is called Golgotha.
There they crucified him.
There is a terrifying matter-of-factness to these words. Plain and unvarnished they speak of the cruelty of humanity, of a world of nails and wood and stone, of the sacrifice of one man, of the seeming absence of God. Where, we might ask, was God at this place of the skull?
In other accounts of the crucifixion Jesus is mocked both by the crowd, and one of the thieves he is crucified with, because God will not intervene, God will not swoop down and save him. Suddenly and terrifyingly the God Jesus drew people to seems to be absent. A terrifying truth which Jesus affirms from the cross as he prays in in Aramaic from Psalm 22:
Eli, Eli, lema sabachthani?” … “My God, my God, why have you forsaken me?
We live in a world which so often stands in the place between the Cross and the Tomb, between Good Friday and Holy Saturday, between nails and wood and stone, a world where God can seem suddenly and terrifyingly absent.
For some, like the crowds who came to gawp at yet another crucifixion this becomes an excuse for goading and cruelty: “You thought you had it fixed, you thought the sky-fairies would save you. Well, they don’t, they can’t. You were wrong.”
For some the absence of God is more palpable in the cruelty of the world. As we hear the horrifying accounts of the atrocities that have been perpetrated in Ukraine – of mass killings, of sexual violence, of the chilling specifications for how to construct and conceal a mass grave – we are right to ask, not only where God has been in all of this, but to pray with Jesus – “why have you forsaken them”?
One who reflected constantly on the seeming absence of God was the Welsh Priest-Poet RS Thomas. In his often-austere words he reflects on the experience of seeking a God who is too often absent from his experience. Sometimes this is in the context of a world stripped of its wonder and mystery by the cold and clinical advances of science, sometimes merely in unvarnished reality of his own prayer life.
His poem The Absence reflects on both of these realities
It is this great absence
that is like a presence, that compels
me to address it without hope
of a reply. It is a room I enter
from which someone has just
gone, the vestibule for the arrival
of one who has not yet come.
I modernise the anachronism
of my language, but he is no more here
than before. Genes and molecules
have no more power to call
him up than the incense of the Hebrews
at their altars. My equations fail
as my words do.
The cold truth that Thomas draws us to is the reality that we find as we stand at the foot of the cross. That in those places where we feel God to be absent no words or equations or human reasoning can overcome the unvarnished reality of Jesus’ prayer on the cross:
My God, my God, why have you forsaken me.
What then are we left with?
One thing is to look again at the simple unvarnished things of this day: at the hard reality of the nails and the matter-of-factness of the wood. Simple cold realities of the cruelty of this day. And alongside this we find the simple reality of this absence which haunts us today. What holiness might we find in these common things, in the simple reality of the wood and the nails, and the seeming absence which will melt into the silent stone of the tomb?
As we read on in RS Thomas’ poem we can glimpse the path ahead.
What resources have I
Thomas asks
other than the emptiness without him of my whole
being, a vacuum he may not abhor?
Perhaps in the seeming absence of this day God is calling us to look more closely, to search more deeply, and see in the unvarnished ordinariness of the nails and the wood and the stone a deeper reality God is showing us today.
Through Lent we have been offering a weekly online reflection on the theme of Journey and Rest through the wilderness. Visiting speakers have examined for us different themes, from the influence of the saints of these northern lands to the challenge of climate grief. The last of these reflections is a startlingly honest and unvarnished reflection on the experience of long-Covid. In the video – which you can still find on our social media channels and which I encourage you to watch – I am in conversation with Amy Ward, a lay community worker in County Durham. In the video Amy talks of her experience of long-Covid as an experience of personal and spiritual abandonment.
Earlier in her life Amy had suffered from chronic-fatigue syndrome and had been bed-bound for some years. In that time, she said she would rationalise away her experience and find God in the small kindnesses of others she found in that time. But in the experience of long-Covid – amplified by the enforced separation and isolation of the pandemic – she could not fall back on that well-meaning rationalisation. For her, in her own place of the skull, God was seemingly absent.
But on Good Friday she found that even if in her desolation it seemed that God was absent, Jesus was not. That in those places where there seemed – in RS Thomas’ words – “an absence” we find instead the one who has stood in that desolation and stands with us and the world in those terrifying places of unvarnished absence.
As we stand in that place between the wood and nails of the cross and the cold stone of the tomb we come to know that even if it feels that God is absent, God in Jesus is not. That even in all the places of the skull that the world and humanity can create we know that God in Jesus is there with is standing silently in those places of desolation. A God who is felt, even as the world around has stopped listening.
In one of his other great poem, The Coming, Thomas draws us to this truth. Describing the world we stand in today between the foot of the cross and cold tomb Thomas tells us of a world where:
On a bare
Hill a bare tree saddened
The sky. many People
Held out their thin arms
To it, as though waiting
For a vanished April
To return to its crossed
Boughs. The son watched
Them. Let me go there, he said.
What we discover in this place of the skull – in all the places of the skull we discover in the world – is that even where it feels that God is absent, in those places of where we seem to only find wood and nails and stone we do not find a vacuum, we find the cross.
Address for Easter Day, Carlisle Cathedral, Sunday 17 April 2022.
Psalm 105; Isaiah 43: 1-21; John 20: 19-23.
Each year it feels like there is a realisation that Easter is upon us is when I read a ponderous and po-faced article in a broadsheet which tries to argue that Easter is – in truth – not a Christian festival, but some kind of imperial appropriation of centuries of springtime fertility and new life ceremonies.
These articles usually say something like: “Actually, I think you will find that stories of a resurrected God are not unique to Christianity. Ancient near-East religions are full of stories of the rising to heaven of a God like figure”. And then go on: “And the imagery of eggs and rabbits are taken from the pagan Germanic rites of the goddess 'Eostre' – oh and for the record it is not an Easter bunny, it's a hare!”
Well perhaps.
After all, in the time of Jesus the Roman cult of the Emperor spoke of him as “the Son of God” who, on his death, was believed to be raised to the heavens to the status of a God. And other religious traditions have marked the turning of the year in the northern hemisphere and celebrated the return of life and light in the budding of the spring. So, what makes our story different, what makes our hope this day unique?
The difference comes not simply in the hope of the Easter garden and the empty tomb. The difference comes because this emerges suddenly and unexpectedly from the shadow of the cross.
We are so used to the stories and imagery of the cross as a sign of hope and victory that we can forget the shame and suffering that it represented. In Roman culture the cross was not simply a means of execution, it was a sign of humiliation and utter cruelty. In the Roman world crucifixion was saved for slaves who had killed their owners, for the down-trodden who had tried to overcome their masters. It was used not only to kill the guilty, but it was also used to disgrace and degrade them in full sight of all. It was, as far as the Romans were concerned, the supreme form of political pest control.
The truth of the story we tell today is not simply of the new life which God brings into the world, or of the life beyond death God speaks of. Both can be found in books of religious anthropology. The story we tell today is of a God who shows us to this new life and hope from the brokenness of the world around us.
Over these great days I have suggested that we might attend not simply to the story of Holy Week and Easter, but to the simple symbols and things that God uses to weave this story together: bread and wine; water and a towel; nails and wood; stone and silence. The power of these symbols comes not simply in the story that they weave for us. The power of these symbols comes in their plain, unvarnished ordinariness. That God – the creator of the heavens and the earth – chooses to uses these things, these plain ordinary things, to weave this story and build the new creation they draw us to.
As we encounter Jesus’ resurrection appearances in the Gospels in these coming days and weeks we might like to notice that that Jesus again and again uses ordinary things to reveal his resurrected self to his doubting disciples. A fire to cook breakfast for his weary friends; bread broken at a wayside inn; hands scared by the nails that held them to the wood of the cross. Ordinary things which weave for us the almost unbelievable truth of this extraordinary story that he is the Christ, the one promised of God, the one who has risen from the dead.
RS Thomas, who poems have coloured this story we have heard through these great days, brings this theme of the extraordinary truth of the resurrection revealed in the broken and the ordinary in his poem, Resurrection.
Easter. The grave clothes of winter
are still here, but the sepulchre
is empty. A messenger
from the tomb tells us
how a stone has been rolled
from the mind, and a tree lightens
the darkness with its blossom.
There are travellers upon the road
who have heard music blown
from a bare bough, and a child
tells us how the accident
of last year, a machine stranded
beside the way for lack
of petrol, is crowned with flowers.
Here these deep themes of new-life and rebirth are woven for us into the broken things of the world. What RS Thomas reminds us is that God in Jesus reveals this new life not in mythic tales of imperial greatness, or the weathered patterns of the seasons of the year. He reminds us that in the resurrection of Jesus Christ we find holiness in the common, new life revealed to us most truly and most deeply through the ordinary and the broken.
Today, on this great day, as we proclaim again the resurrection of Jesus Christ we are not simply retelling ancient tales of the seasons or of the grandeur of emperors. In the resurrection of Jesus Christ God tells us – ordinary fallible broken people that we are – that the new world and new creation will be built from these ordinary things like bread and wine, and water.
That on this day God begins to tell again that great story that began in that Easter Garden, a story that he uses the ordinary things of this world to tell. In the glory of this day we discover God continuing to weave the tapestry of this new creation through the plain ordinary and unvarnished things of the world. Even through ordinary people like me and like you.